PAULAGORDON.com |
... conversations with People at the Leading Edgesm |
|
a Muse in Music Guy Davis stands with giants in an ancient tradition: slaking appreciative audiences’ thirst for live music in venues of every description, across the planet. “I’m a story teller,” says he. Mr. Davis’ life and his work are both luminous reminders of music’s power to bring people together, expand our minds and loosen our preconceptions, whether it’s in a Canadian hamlet or at home in New York City’s Bronx. Widely recognized as one of the world’s leading blues singer-songwriters, Guy Davis is justly proud to be in the tradition of troubadours over the centuries and in more recent times from Muddy Waters, Son House, Mississippi John Hurt and countless other “Bluesmen” to Pete Seeger, Woody Guthrie and Bob Dylan. Like them, Mr. Davis plays to nurture, expand and share the universality music. When off stage, Guy Davis speaks gladly of an “ancient faith” he invented for himself. He invites us all into his vivid word picture: all the earth’s people, the final moment before the very first word -- ever -- was spoken. That great wellspring of life-giving breath is the space he seeks to recreate in every performance. Obviously, he observes, being the son of famous stage and film stars, and civil rights activists Ruby Dee and Ossie Davis was extraordinarily enriching. But it was when he was a 7 year old kid, sitting in the front row of an auditorium and looking up at a man with a box that had strings on it, that he saw his own future. Music’s magic not only enveloped him then, it impelled him (as it’s done for decades) to live a life “on the road”. One need only sneak a peek at his audiences to see the spell Mr. Davis and his Blues cast: hypnotic rhythms, mesmerizing lyricism and Mr. Davis’ splendidly versatile big voice. Some come to hear his recordings come to life, others for the thrill of hearing brand new music Mr. Davis enjoys debuting on tour. Or maybe they’re drawn back by a memory of an earlier gig, full of tales of love and loss leavened by Guy Davis’ gentle humor. Or simply for the joy of being part of the electric connection between the star and people on the other side of the lights, an eerie arithmetic in which one and one makes all. The Blues probably began in the Mississippi Delta, in the 1930s, with Robert Johnson (who died at 27) and in 1993, Guy Davis brought him to life, on stage, in “Trick the Devil”. He firmly believes Mr. Johnson deserves the credit given him for creating the iconic blues song “Crossroads”, and more. A lot more. Mr. Davis keenly observes that the song’s story neither starts nor ends at any particular crossroads. Rather, it holds a special place among authentic Blues’ musics exploration of the universal: will any one of us make the Faustian bargain with the Devils we meet traveling life’s highways, bargaining away one’s soul for our dearest wish? First, last and foremost, Mr. Davis embraces the richness of his storytelling role. The ones he brings to life are as readily told by the strings of his 6- and 12-string guitars, harmonica and banjo as with words and melodic lines. He delivers them with an engaging passion, gets folks together and keeps the music alive. The Blues do the rest. [This Program was recorded April 22, 2015 in Kimberley, British Columbia, Canada.]
|
Conversation 1
|
Conversation 2
|
Conversation 3
|
Conversation 4
|
Conversation 5
|
Related Links: Mr. Davis' website provides much more information about him, including tour dates and videos of him in performance. Kimberley Arts at Center 64 enriches the community by adding art to people's lives.
And, here's a little background information on Paula Gordon and Bill Russell, the Program co-hosts. |
Acknowledgements
Guy Davis graciously added two hours to his packed touring schedule to share his stories with us. We appeciate his generousity.
The photo (above) of Guy Davis in performance was taken by Richard Dowdy.
The staff and volunteers of Kimberley's Studio 64 made his appearance both possible and pleasureable. Knowing that we may unintentionally leave someone out, we wish to thank: Christine Besold, Irma DeVisser, Rodney Wilson, Ray Gareau, Keith Nicholas, Marty Musser, Mike Redfern, Helen Robertson, Linda Douglas, Rand Davis and Peter Kearns |